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Archive for May, 2016

Producer/Director Julien Dunand’s take on The Shelter!

May 30th, 2016 No comments

new shelter image
Hola! As we strive to bring you some wonderful THE SHELTER news very soon (I know I’ve been saying that for a month now, but shit takes the time it takes i.e. much longer than anticipated); I felt like sharing with y’all one of the first pieces of feedback I got about the film, in the name of giving you an idea as to what you’re in for.

The thoughts come from French Producer/Director JULIEN DUNAND, whom I worked with on DEAD SHADOWS in 2012. The lad also produced/directed BIG JOHN (2006) and DU SANG SUR LA NEIGE (2013)  and produced NWR (Nicolas Windig Refn).

“I finished watching The Shelter. Not only do I think it’s a good movie but it might even be a great one. I probably need to see it again in a few months just to be sure. All I knew before watching it was that it was some kind of a haunted house flick. I couldn’t have been more wrong.

The Shelter is a reflection about Christianity and redemption. It stands on its own as an independent film. I was taken completely by surprise. I never thought it would be what it was. As a Christian catholic, I completely got what you were trying to say. The film has real power, and I don’t mean the images. Yes the shots and frames are quality, and the overall work on visuals is very good. So is the excellent sound design. But I never paid too much attention to technique. Because visuals to me are concrete, almost mathematics. If you have decent money and a good crew, it’s not that complicated to have good camera work. I’m not saying it’s easy –just that it’s controllable. On the other hand what isn’t, is soul. The will to express something.

One thing I’ve learned in this business over the past 10 years is that it’s very easy to make a bad movie. And it’s even easier to make an average one. Directing is having something to say. I see plenty of brilliantly shot movies all the time, but they’re dull and useless because they have nothing to say. They are soulless. So they just exist out there in the middle of thousands of other ones and no one will ever remember them in 6 months. So what’s the point of making them? Making a first film can be so hard that if you don’t have anything to say, don’t do it. It’s just not worth it.

A true director is someone who has his own eye (le regard in French). And having an own eye means having soul, putting your heart and guts on screen. Expressing something. In the end it’s all that matters. It’s all that counts. It’s all that’s remembered. And I felt you did that.

It is also obvious to me that religion at some point played an important part in your life. All these images are very reminiscent to me of the early works of Martin Scorsese, from Means Streets right up to Cape Fear, but also of Abel Ferrara’s Bad Lieutenant (Thomas’ character has a direct link with Harvey Keitel’s character). Who gets to ask for redemption? At what price? Under what conditions? The Shelter confronts these issues with power and force. It’s meaningful.

I tend to get emotional about all of this but the most important thing I want to say to you is this: You have something here. So what ever you do next, don’t fuck it up! Congratulations John!”

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Escape from the Dark Dimensions at Cannes 2016!

May 11th, 2016 No comments

escape-3Website : www.cryofilms.com
Contact : dcmedias92@gmail.com

Hey all! ESCAPE FROM THE DARK DIMENSIONS (a screenplay that I had the pleasure of working on as co-writer and a film I’m slated to act in – it’s in the same vein as BIG TROUBLE IN LITTLE CHINA btw) is being shopped around at this year’s Cannes Film Festival. Writer/Director David Cholewa (who’s prior feature DEAD SHADOWS was distributed in over 25 territories and screened at the Sitges Film Festival) and Producer Sidney Chiu will be on hand pushing the project. They are presently in the process of attaching name talent to the film. Check out the synopsis and one-sheet below! I had lots of fun with this one, it’s a crazy ride! Kill it boys!!

“When best friends Gabe and John meet up at a local bar to discuss plans for Gabe’s upcoming bachelor party, they never expected to get caught in a battle between good and evil.  After running for their lives to escape the clutches of a psychotic vigilante cop named Largo, with a serious axe to grind, along with his furious henchmen, they seek refuge in a decrepit old community center where an unspeakable act has occurred.  The brilliantly deranged mathematician and master of the kabbalah, Rabbi Sandoval, has perfected a formula to open a portal which will destroy creation itself.  All the Rabbi needs is one more sacrifice to complete his evil scheme.  Now, Gabe and John are forced to make common cause with Largo, and two of the building original inhabitants, an old blind man, Isaac, who is more than he seems, and his young daughter Tsofia ,  to fight their way up through the floors, each of which is protected by a supernatural guardian more terrifying than the last, and somehow prevent Sandoval from finishing the ritual and opening the seventh portal.  Will they be able to stop the ultimate doom and make it back to the world they know? Or has time really run out?”

escape-1

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