My directorial debut starring Michael Pare which the L.A. TIMES called “remarkably ambitious” and “a concise genre piece that doubles as a heavily metaphorical character sketch”, had previously been released on DVD and VOD in the United States, and was also sold in various countries around the world.
Since The Shelter’s domestic release, we’ve done all that we could in terms of the classic route of finding distribution internationally. And although we did have some success (Belgium, Denmark, Finland, Iceland, Luxembourg, Malaysia, Netherlands, South Africa, Sweden South East Asia, Canada) we’ve come to the conclusion that the best move to make at this final stage is to end on this different avenue.
I’m happy that everybody will finally be able to watch this unique, odd and very personal film. And for me, this marks the end of my 4 years journey with this picture. So there’s something to celebrate and be proud of right there! Thanks to all who have supported me and the film over the years!
It has been a very rewarding experience, one that changed who I am and that re-sparked and enriched by spirituality. I’m a better man and filmmaker for it and will bring all of that into my next film HERETIC. Peace and God bless! John
After its theatrical, VOD and DVD release, my directorial debut THE SHELTER, starring Michael Paré (Eddie and the Cruisers, Streets of Fire) is now be available (in the USA) on RedBox TODAY (February 7, 2017)!
I gotta say it; I’m really happy that The Shelter is getting a wider reach in North America via Redbox, with the main reason being (and I know this is gonna sound f-ing pretentious) that I had “something to say” with the film in terms of the human condition. Again, the most rewarding aspect of having made this movie thus far has been the people who have contacted me to let me know how after watching it they entered a state of self-reflection…
In related news; the film will be shopped at the upcoming EFM (European Film Market) in Berlin starting February 9. For distribution queries or to set up a meeting at said market, E-MAIL Uncork’d Entertainment HERE!
Am I now back from Los Angeles where we had THE SHELTER premiere (peep the QNA video below or here) and yes, that event and the film’s domestic release on VOD have definitely acted as a “victory point” for the film and for me personally. It’s finally out there after a two-year battle to get it done. Phew! On that, for me the fight is not over. Still got to sell the film foreign, still have to make my money back and want to broaden the film’s reach in terms of the type of audience that I think should see the movie, but more on that down the road.
A lot has come out of The Shelter’s release. I’ve never been interviewed this much in my life (Thanks Clint Morris for your hustle), the film got a slew of solid reviews (and yes the LA Times one was a highlight for me), The Academy of Motion Pictures (Oscar baby) put the script in their library, I’m starting to get known outside of the horror niche and personally the most rewarding thing of all is the folks that have expressed to me how much the film moved them or/and made them think. That was the point of that one, hence mission accomplished.
I want to take a moment and thank some of the key people behind the picture. Thank you to Producer Donny Broussard who came in early on the project, hustled with me through the hurdles and busted his ass to get me all that I needed to shoot this puppy. Couldn’t have done without you! Thank you Bobby Holbrook (and the Holbrook Multi Media team), who gave me all that he had during production and then stayed with me in the trenches during the baffling “technical-warfare” laced process that was Post Production. We went through some serious (and un-explainable) obstacles and one mammoth let down but Bobby fought with me till the bitter end.
Also a big thank you to Executive Producer and hombre Berge Garabedian for believing in the film and being my rock throughout this emotional roller coaster ride, always kicking me in the ass when I started to feel defeated. And of course a huge thanks to star Michael Pare who took a chance on a first time director and went all out for the movie. Every positive review in terms of his performance is MUCHO deserved. I couldn’t go on without thanking my pal Writer/Director/Author/Great cook Eric Red (who gave me solid tips during Pre and Post) and his wonderful wife Meredith Red. Both of them had my back throughout this journey and it was much esteemed. PS: Shout out to my amazing cast and crew! The crew was a well-oiled machine, my cast rose to the task, no way this would have happened with lesser talented people, specially taking into account the short production time we had. Pat yourselves on the back!
I’ve learned and changed a lot in the last 2 years. This undertaking acted as tough love Producer school, my persistence never got this tested before ever and I am proud to have pulled through, I loved every second of directing and am in love with the process, I grew spiritually and as a man; learning to forgive, to be humble, to not let the haters affect me, to react to obstacles in a rational fashion and to find the positive in the low blows instead of becoming cynical – cause yeah, this business will do that you, turn you into a bitter f*ck… if you let it, and I did for a while, but I have since evolved.
The Shelter’s release has acted as a first firm step on a new professional path, one that I am eager to explore and exceed in. New doors are opening, new film projects are shaping up and I am grateful for that. Thanks to all of you that have supported me and are still supporting me in my endeavors, I honestly could not have done it without you. Every positive e-mail, PM, tweet etc. fuels me to keep on going! Much love and God Bless! John
The fine folks at ICONS OF FRIGHT (thanks for the support guys, much appreciated) just took a look at THE SHELTER. You can read an excerpt below and check out the entire review HERE.
“THE SHELTER is most definitely the smart man’s horror film, putting more effort into giving its viewers a character study of a man, lost and broken and forced to face and overcome the past mistakes that caused his life to spiral out of control. It’s great to see Pare shine again, he really gives a powerful performance, one that is broken and jaded, yet damaged and full of pain in ways that we as a viewers seek to put together.”
And I was also interviewed by Punk Globe recently and didn’t plug it here yet.
Hence here is an excerpt!
“We had a fairly smooth shoot. But post-production proved to be very challenging. A lot of weird technical things kept happening, which slowed down the film’s progress considerably. It got to the point that we all started to think that we were messing with things that we’re not supposed to be messing with. I can almost write a book about the very strange things that happened around The Shelter; mostly during the writing and post-production stages.”
I have been hustling hard for this film (which I now affectionately call: “My Vietnam”) non stop for a bit now – on that, I am starting to see the light i.e. looks like the constant effort is starting to pay off. More news soon!
Hey guys and dolls! You can feast your retinas on a new clip from THE SHELTER below! I hope you enjoy it! A new review of the film just surfaced on SCREAM HORROR MAG as well. Here is an excerpt
“Whilst Fallon’s film will probably polarize most audiences, as it boldly goes where most films daren’t – relating a somewhat incongruent tale that does anything but spoon-feed viewers; in my book, that’s the epitome of the kind of films people need to be queuing up to catch instead of the spate of Hollywood horrors that don’t even try to get the audience’s grey matter muscles flexing.”
As for where the film is at. I’m presently hustling further Festival screenings, working on getting the film seen by more people (am expanding the audience I am targeting) while seeking worldwide distribution for the film. You can e-mail me HERE for inquiries!
A new THE SHELTER review just surfaced via Fromdusktillcon.com. Here’s an exceprt:
“John Fallon certainly has an interesting style of direction. He gets the most out of his actors certainly, which is an amazing skill for any director to have. But on top of that, you can clearly see how much he loves the genre as his influences show up on screen. There were times the film reminded me of the works of David Lynch, Dario Argento, and even the legendary Alfred Hitchcock. This is perhaps the highest compliment I can pay to Mr. Fallon. His work is evocative of such luminous names in the industry yet this is undoubtedly his own film. It’s quite frankly a horrifically beautiful sight to behold.”
For anybody that thinks the hard work on a Indie film ends with Post production, well I got news for ya, it doesn’t, like AT ALL! 🙂 But hey, it’s not truly work when you’re doing what you love…
On that, I recently sat down with the fine folks at BRITFLICKS (thanks Stuart Wright, loved yapping with ya) and talked about THE SHELTER in depth, so give it A LISTEN HERE.
We also just released the first clip from THE SHELTER online. I purposely chose a clip that was vague, one that wouldn’t spoil the film but that at the same time would give you a feel for the type of ride you’re in for (i.e. a very weird one).
I’m really happy to share with you all that my directorial debut THE SHELTER will screen at the Film4 FrightFest Festival (August 27th – 31st) aka London Frightfest Film Festival 2015 . Exact date and time are still to be determined. Yeehaw! Man I needed that!
Since the film finished with its Post Production in late 2014 all I’ve been doing is pushing, taking the hits and posing action after action after action… so yeah… when you FINALLY get the reaction you’re seeking – you gotta relish it for a second or two before jumping back in the ring to fight yet another round. So, this is me relishing 🙂
Frightfest is actually a Film Festival (ran by some great dudes, shout out to Alan Jones, Ian Rattray, Paul McEvoy and Greg Day) that I’ve wanted to check out for a very long time now but that I never got around to. And right now I’m happy that I didn’t as I’m glad that I get to attend the Fest as a filmmaker.
I want to say a big thank you to Frightfest for having me and the film! You’ve genuinely made my day. Expect more The Shelter good news to come soon!
In anticipation for THE SHELTER Cannes Screening on May 16 ( 4:00PM in the GRAY 3 THEATRE) here is an excerpt (from a longer interview which should be on the Blu-Ray when released) of star Michael Paré (Thomas) talking about the “type” of film The Shelter is. Scroll down at the end o this Post to watch it!
Will I be at the screening myself? To be honest, I was on the fence in terms of attending the Festival or not. On one end, I want to be there for my film and would love to see all of my friends from around the world and make new ones as I always do. On the other end, I’m an independent filmmaker; Cannes is mucho pricey and there is still a very long road ahead for The Shelter – one that I have to prep for financially. So I kept going back and forth. Recently, a new film opportunity arose and it made the decision for me.
The final outcome is: I will not be going to Cannes but I will be working on a new film project shortly one that will enrich me and give me further experience. Sometimes when you can’t make a choice – life does it for you! I said “sometimes”… I’m usually not one for waiting 🙂 On that, THE SHELTER screens in 5 days (man that’s soon) on May 16 at 4:00PM at the Gray 3 theatre and is represented by DC MEDIAS. Contact them here! The Shelter wants a home!
Hey all! We just wrapped production on my feature length directorial debut called THE SHELTER, starring Michael Paré. I am in the process of writing a production journal that I will share with you all sooner than later, but first, I have to beat this damn flu that sneaked up on me after the shoot. So for now, here is the official press release. Thanks to all who supported me in this crazy suicide mission. More soon!
JOHN FALLON’S THE SHELTER, STARRING MICHAEL PARE WRAPS PRODUCTION
Louisiana, January 23, 2014: John Fallon, founder of the horror website ArrowintheHead.com and his team have wrapped production on The Shelter in Louisiana on January 19th, 2014.
The film is a supernatural thriller that stars veteran actor Michael Paré (The Lincoln Lawyer, Eddie and the Cruisers) along with Gayle James, Rachel Whittle, Brigette Rose, Anastasia Brook and Amy Wickenheiser. The film is financed by Bruise Productions and JoBlo Movie Productions, an affiliate of the film site JoBlo.com, will enter post production shortly and is at the same time seeking distribution.
Fallon directed the film from his own screenplay, Donny Broussard (Little Houses) produced the film while Bobby Holbrook of Holbrook Multi-Media is its director of photography. Thomas Wilson (James Wan’s The Conjuring and Insidious: Chapter 2) acts as the film’s VFX Supervisor.
John Fallon has acted in over 20 films including such genre favorites as Saw 2, Death Race and 100 Feet, and has written 8 produced screenplays. This film is his full-length feature directorial debut, although he previously directed the award-winning short The Red Hours. “Directing a feature has been my Holy Grail for 10 years. I am elated that my dream has finally come true. I was blessed with a relentless and talented team, a solid cast and a fearless lead actor and even with the hardships in tow, it was the most fun I’ve ever had working on a film. Post Production can’t come soon enough. We have something special on our hands.”
Paré, a veteran actor with over 100 credits to his name was immediately intrigued by the film’s screenplay: “The Shelter tells a great and painful tragedy. Not about global disaster or war or economic collapse but of the individual human heart. The human heart and soul is what all art seeks to unravel. Guilt, regret and shame kill the heart and soul. When our lower animal nature dominates our character our soul is lost.”
On a star filled night, widower and homeless man Thomas (Michael Paré) finds shelter for the night when he falls upon a vast two story house with the lights on and an inviting open front door. He strolls on in thinking he just caught a lucky break and for a while, it would appear as though he did. But soon enough, he realizes that the house won’t let him leave, as its doors are all locked while its windows cannot be opened or broken. Destiny has brought Thomas to this place. What does it want from him? Will he survive the ordeal?