Although my main focus is on writing, directing and producing, I still enjoy nabbing an #acting role now and again and relishing in the simplicity of the process. You learn your lines, show up, do your thing and you’re done. Which brings me to Broken Trust.
You can catch me playing a lovable lug (sarcasm – not really lovable) in Episode 9. I really enjoyed my time on set, specially since a couple of faces from my local filmmaking past were there (I’ve been mostly working abroad for the last 7 years or so).
The show premieres on Investigation Discovery on June 13, 2018 at 9/8 c. Thanks to director Adrian Wills and cast and crew for having me. Here’s the teaser for the show!
“Can almost be labeled as a faith-based thriller. But with the subjects of infidelity, alcoholism, suicide coupled with open sex scenes, violence, and touches of horror, this unusual mix with its strength in faith delivers a taboo of sorts to a non-secular audience. ” – The Movie Guys
With Christmas upon us, and this being most likely my last The Shelter related piece on this Blog (locking some outstanding territories aside, the adventure is pretty much done), I figured this was an ideal time to address the Christianity inspired elements of the picture.
Much of the self-loathing, anger and selfishness that I had in my 20’s tagged with my Catholic upbringing and my rocky relationship with it back then went into the writing of The Shelter. That is why it is such a personal film for me. Although I have since conquered those demons and I am now in a place of peace, I re-visited that time frame to pen the film.
Now the movie was marketed to the horror crowd for the most part upon its release, with good reasons. It’s a bleak ride and the genre elements are there, and yes, many have gotten something out of it no matter their beliefs (except for the random person who felt preached to – you do a film about demons, all good, you explore the flip side – you’re preaching – go figure).
But I do think that people of Faith should see it too, even those who don’t normally like genre films (it’s now free on Amazon Prime) hence the main reason that I am writing this blog entry. Granted the movie is rough in places and it’s definitely not a “family movie” (don’t show the kids), but I think if you’re Christian, you should give it a try as its themes and its message should resonate with you. To give you an idea The Shelter is akin to Book of Job from the Old Testament. That was one parallel that I was going for (you can learn more background on the ins and outs of the film via the Audio Commentary on the DVD).
In closing, I’ve recently come the realization that The Shelter was basically my “message in a bottle” to the world. My intent was to move, stimulate and make the viewer think and I was so blessed to have Michael Pare in the lead to help me convey that. To be honest, the most rewarding reaction that came out of making the film has been the people that reached out to me after seeing it in person or online to let me know how it moved them or urged them to look at themselves, look at their Faith or at their past mistakes. It touched me that the film touched others. All I needed.
Here are some quotes from some of The Shelter reviews that tapped into the Christianity laced meat of the film. Click the links to read the reviews! And if you do wind up seeing it because of this Blog entry, I truly hope that it stirs you one way or another. And if you hate it, that is okay too. Merry Christmas!
“Like Book of Job from the bible, Thomas is tested through supernatural signs that lead him to an emotional place in his heart he’s learnt to hide from. It’s an uncomfortable watch as real become unreal, but because it’s what Thomas desires he goes with the flow. And then the faucet of all that he wanted is turned off. ” – Britflick
“The Shelter swirls Christianity and Silent Hill-levels of guilt to torment its protagonist, and Fallon’s strong visual style combines with a very strong turn from Pare to good effect.” – Sci Fi Now
“The neon lights become the power of Christ and his need to beg forgiveness jostles with memories that aren’t allowed to fade.” – Starbust Magazine
“The film’s religious undertones remain apparent but they never feel overly preachy and, surprisingly and cleverly, draw out whatever spirituality we believe in, making Fallon’s intentions feel relevant to us in our own particular way.” – Scream Horror Mag
“There are a lot of religious references, as well as dreamy sequences bathed in light, where we are not quite sure whether to believe what we are seeing, or if it is merely a product of Thomas’ mind.” – Movieramblings
“The beauty of Fallon’s cinematic Lament Configuration is that through extensive use of religious iconography and flashbacks that offer suggestions as to how Thomas found himself in this predicament, there are multiple conclusions that the viewer may come to, and with Fallon wisely refusing to offer his own explanation of the film’s meaning it enables the viewer to take their own unique experience with them.” – This is Horror
“Filled to the rafters with religious iconography; statues of Jesus Christ, copies of the Bible and crucifixes of ever schism, are littered everywhere you care to look. The talismans represent Thomas’ need forgiveness, but he’s a stubborn man.” – The Hollywood News
“Blending elements of spirituality, horror and redemption within the faith based storytelling, you see a very complete film in THE SHELTER.” – Tom Holland Terror Time.
“God’s not explicitly mentioned, but even a lapsed Catholic or staunch atheist will get the feeling going into the final act and after the credits roll that someone, not of this world, can and will put you out of your misery… if you’ve given up.” – Britflick
“The Shelter is Bad Lieutenant meets The Last Temptation of Christ” – Julien Dunand (Producer/We Blew It)
I am happy to announce that I recently joined the Woodland Grey team as Producer. Solid and unique script, a talented director in Adam Reider (named as one of the top Montreal directors of 2017 by Cult Montreal) and two take no prisoners producers in Francesco Giannini and Christina Saliba.
We’re presently at the financing and casting stages (got some exciting names circling the project). More news as it comes in! Till then, check out the film’s FB page here.
After its theatrical, VOD and DVD release, my directorial debut THE SHELTER, starring Michael Paré (Eddie and the Cruisers, Streets of Fire) is now be available (in the USA) on RedBox TODAY (February 7, 2017)!
I gotta say it; I’m really happy that The Shelter is getting a wider reach in North America via Redbox, with the main reason being (and I know this is gonna sound f-ing pretentious) that I had “something to say” with the film in terms of the human condition. Again, the most rewarding aspect of having made this movie thus far has been the people who have contacted me to let me know how after watching it they entered a state of self-reflection…
In related news; the film will be shopped at the upcoming EFM (European Film Market) in Berlin starting February 9. For distribution queries or to set up a meeting at said market, E-MAIL Uncork’d Entertainment HERE!
I’ll speak for myself here; with its long takes/classical directing style and old school cinematography (by the great Ken Kelsch); ERIC RED’s 100 FEETstarring Famke Janssen, Ed Westwick, Bobby Cannavale and yours truly as Jimmy was always meant to be a big screen experience. Alas, the movie was finished when the film market collapsed and distribution as we knew it went tits up, hence it wound up straight to TV then DVD.
On that I am elated to report that Writer/Director and my compadre ERIC RED will be hosting a double bill 35MM screening of 100 FEET (and his classic BODY PARTS) at Alamo Drafthouse in Denver, Colorado on Thursday October 27th 2016 (GET THE INFO AND TICKETS HERE)! So many of you will get the opportunity to witness it on the big screen, the way it was meant to be seen in the first place.
I look back at 100 FEET with much fondness as it was a first for me on many levels.
1- I played against type (nervous/insecure tech dude)
2- Finally got to be in an Eric Red film, which was along term goal of mine.
3- I acted alongside two acting powerhouses (Janssen and Cannavale). My cherry got popped!
4- I had to deliver an “exposition laced” quasi monologue (I basically set up the rules of the movie) and make it sound “organic”. Never had to that before (or since). To this day I remember my lines 🙂
5- Learned so much watching Eric Red at work. I’m a better director today for it.
It was also on that set that I met Michael Pare (who wound up being the lead in my directorial debut The Shelter), visited Eastern Europe for the first time (the flick was shot in Budapest) and also learned the hard way that downing a Coca Cola is not the best thing to do right before acting in a scene (duh) being that one needs to be relaxed to act, Coke did not “relax” me…lol!
To celebrate the film’s big screen showing, I decided to dig up some obscure BEHIND THE SCENES shots from the film for y’all! Tap them below! 100 FEET goes full circle. I am happy!
Producing: When it’s “your movie” and you’re responsible for everything, even other people’s mistakes that go down under your watch – it’s an all new ball game. I had co-produced before on other people’s movies, mostly pre-prod/prod stuff, but that was NOTHING compared to what I had to go through on this one. Once the shoot was done it was obstacle after obstacle after obstacle and to say I learned so much the hard way would be an understatement. As I type this, 2 years since we wrapped, I’m still going through hurdles when it comes to the bureaucratic nature of making a film (Note: hurdles have since been conquered). On that, even though I wasn’t smiling the countless times I got kicked in the face for the last two years, I can now safely say that I am happy all of these challenges went down as I will bring that knowledge and a stronger shield to my next picture. Every director should know the ins and outs of producing a film IMO – you got to understand the machine fully to operate it to its max! So although it put me through the ringer, almost broke me and tested my tolerance level like mad – the knowledge I got out of this experience was priceless. They didn’t teach me that shit in film school that’s for sure! And yes I have an all-new respect for the Producers of the world.
Change of reaction: One can be strong, but after taking hit after hit after hit, you start to lower you gloves and begin to react to curve balls in a bitter and discouraged fashion. Through making The Shelter, I had to learn to “roll with it”, to see the positive in the negative “like gaining knowledge by way of hardships” and to have faith that every misstep, every sucker punch was for a greater good that maybe I didn’t see at the time. The amount of Festivals that turned me down, people who I thought would back me up but didn’t, the two forward – ten steps back rinse and repeat routine – I was focusing on that drivel instead of: The Festivals that did take us on, the people that have been there with me through thick and thin or the progress (no matter how little) that was achieved. So I am grateful for that, as that change in “reaction” is now something that I try to apply in my everyday life. I’m not perfect at it just yet, I slip now and again, but I am now even more self aware, hence when I get hit, I make a conscious choice to try to NOT react in a negative way, to take it on the chin and to see the positive within the dire situation instead. Looking back, getting discouraged or bitter only made the battle harder than it already was – nothing was gained from reacting in that fashion. NOTHING. Lesson learned and applying it is still a work in progress. One thing is for sure, I am a much stronger and evened out person due to it.
Spirituality: I was raised Catholic for the bulk of my life – had to pray at school – all that jive. But my problem with organized religion has always been the evil that men did in its name (and in terms of Christianity, totally negating what Christ was all about in the process, but that’s another convo). Hence, none of it is black and white for me – it’s grey. THE SHELTER sent me on a new route though. Being that the film does sport Biblical inspired elements; I did lots of research on the subject matter. Through that, I became fascinated with the history behind it all; hence I started devouring books outside of the usual tomes, like the Hebrew Bible for example or the writings I could find by the “Church Fathers” (ancient Christian writers also known as the Apostolic Fathers). Today, when I travel (specially in Europe), I visit old churches and am completely fascinated as to the beauty before me and the history behind said locations. The many texts that I have since been introduced to coupled with the countless left field happenings that befell me throughout the writing and post production process has guided me a in a direction i.e. what works for me spiritually – my own path if you will. And it’s a trip to walk it! At the same time, I now have a new kind of hobby and I am having lots of fun researching and discovering.
And that’s pretty much it, what I have gained from all of this thus far. It’s been a rock and roll two years that’s for sure! Thanks for reading! John
Hola! As we strive to bring you some wonderful THE SHELTER news very soon (I know I’ve been saying that for a month now, but shit takes the time it takes i.e. much longer than anticipated); I felt like sharing with y’all one of the first pieces of feedback I got about the film, in the name of giving you an idea as to what you’re in for.
The thoughts come from French Producer/Director JULIEN DUNAND, whom I worked with on DEAD SHADOWS in 2012. The lad also produced/directed BIG JOHN (2006) and DU SANG SUR LA NEIGE (2013) and produced NWR (Nicolas Windig Refn).
“I finished watching The Shelter. Not only do I think it’s a good movie but it might even be a great one. I probably need to see it again in a few months just to be sure. All I knew before watching it was that it was some kind of a haunted house flick. I couldn’t have been more wrong.
The Shelter is a reflection about Christianity and redemption. It stands on its own as an independent film. I was taken completely by surprise. I never thought it would be what it was. As a Christian catholic, I completely got what you were trying to say. The film has real power, and I don’t mean the images. Yes the shots and frames are quality, and the overall work on visuals is very good. So is the excellent sound design. But I never paid too much attention to technique. Because visuals to me are concrete, almost mathematics. If you have decent money and a good crew, it’s not that complicated to have good camera work. I’m not saying it’s easy –just that it’s controllable. On the other hand what isn’t, is soul. The will to express something.
One thing I’ve learned in this business over the past 10 years is that it’s very easy to make a bad movie. And it’s even easier to make an average one. Directing is having something to say. I see plenty of brilliantly shot movies all the time, but they’re dull and useless because they have nothing to say. They are soulless. So they just exist out there in the middle of thousands of other ones and no one will ever remember them in 6 months. So what’s the point of making them? Making a first film can be so hard that if you don’t have anything to say, don’t do it. It’s just not worth it.
A true director is someone who has his own eye (le regard in French). And having an own eye means having soul, putting your heart and guts on screen. Expressing something. In the end it’s all that matters. It’s all that counts. It’s all that’s remembered. And I felt you did that.
It is also obvious to me that religion at some point played an important part in your life. All these images are very reminiscent to me of the early works of Martin Scorsese, from Means Streets right up to Cape Fear, but also of Abel Ferrara’s Bad Lieutenant (Thomas’ character has a direct link with Harvey Keitel’s character). Who gets to ask for redemption? At what price? Under what conditions? The Shelter confronts these issues with power and force. It’s meaningful.
I tend to get emotional about all of this but the most important thing I want to say to you is this: You have something here. So what ever you do next, don’t fuck it up! Congratulations John!”
Hey all! ESCAPE FROM THE DARK DIMENSIONS (a screenplay that I had the pleasure of working on as co-writer and a film I’m slated to act in – it’s in the same vein as BIG TROUBLE IN LITTLE CHINA btw) is being shopped around at this year’s Cannes Film Festival. Writer/Director David Cholewa (who’s prior feature DEAD SHADOWS was distributed in over 25 territories and screened at the Sitges Film Festival) and Producer Sidney Chiu will be on hand pushing the project. They are presently in the process of attaching name talent to the film. Check out the synopsis and one-sheet below! I had lots of fun with this one, it’s a crazy ride! Kill it boys!!
“When best friends Gabe and John meet up at a local bar to discuss plans for Gabe’s upcoming bachelor party, they never expected to get caught in a battle between good and evil. After running for their lives to escape the clutches of a psychotic vigilante cop named Largo, with a serious axe to grind, along with his furious henchmen, they seek refuge in a decrepit old community center where an unspeakable act has occurred. The brilliantly deranged mathematician and master of the kabbalah, Rabbi Sandoval, has perfected a formula to open a portal which will destroy creation itself. All the Rabbi needs is one more sacrifice to complete his evil scheme. Now, Gabe and John are forced to make common cause with Largo, and two of the building original inhabitants, an old blind man, Isaac, who is more than he seems, and his young daughter Tsofia , to fight their way up through the floors, each of which is protected by a supernatural guardian more terrifying than the last, and somehow prevent Sandoval from finishing the ritual and opening the seventh portal. Will they be able to stop the ultimate doom and make it back to the world they know? Or has time really run out?”
The fine folks at ICONS OF FRIGHT (thanks for the support guys, much appreciated) just took a look at THE SHELTER. You can read an excerpt below and check out the entire review HERE.
“THE SHELTER is most definitely the smart man’s horror film, putting more effort into giving its viewers a character study of a man, lost and broken and forced to face and overcome the past mistakes that caused his life to spiral out of control. It’s great to see Pare shine again, he really gives a powerful performance, one that is broken and jaded, yet damaged and full of pain in ways that we as a viewers seek to put together.”
And I was also interviewed by Punk Globe recently and didn’t plug it here yet.
Hence here is an excerpt!
“We had a fairly smooth shoot. But post-production proved to be very challenging. A lot of weird technical things kept happening, which slowed down the film’s progress considerably. It got to the point that we all started to think that we were messing with things that we’re not supposed to be messing with. I can almost write a book about the very strange things that happened around The Shelter; mostly during the writing and post-production stages.”
I have been hustling hard for this film (which I now affectionately call: “My Vietnam”) non stop for a bit now – on that, I am starting to see the light i.e. looks like the constant effort is starting to pay off. More news soon!
The last time that I wrote a screenplay on spec it was THE SHELTER and to be honest, the trial and tribulations that I have had with that film in 2015 nipped my creative streak in the bud for the bulk of the year. In short, handling the producing duties after the shoot killed the screenwriter in me. Now although I’m still carrying/pushing/hustling THE SHELTER (and with some help, FINALLY overcoming the obstacles that have plagued us); I’ve rediscovered my creative streak and am now in the midst of writing my next spec script EVA (working title, or maybe not).
After DEADEN and AMERICAN MUSCLE, I’ve always wanted to round up my “revenge” trilogy (as a writer anyways) with a female protagonist. I have been thinking about Eva and her story for a long time and I am now having a blast finally giving it life on the page. I’m relishing writing a strong, intelligent and damaged female lead character, the story that I have is unique within the subgenre and yes, there will be blood – lots of it. In between taking THE SHELTER home, setting up my next film as a director THE PRIZE, fulfilling my duties on a writing job for hire, a new project with Dead Shadows director David Cholewa and now EVA, my 2016 is off to a solid start. Off to the Pub! Got some writing to do.